Flowers At My Wedding III, 2025
Gouache on paper
17” x 14”

For sales, contact: Night Gallery
Rachel Jennings, East Coast Senior Director rachel@nightgallery.ca

Safari Suze, 2025
Gouache on Stonehenge paper
17” x 14”

2025 Online Benefit Show
November 6 - December 31, 2025
https://thehereandthere.co/2025-benefit-show

The Paintings Are Not Going to Paint Themselves, 2024
16 x 17.25 inches
Archival pigment print on Baryta paper
Limited Edition of 35 with 3 APs
Printed by Laumont Photographics in New York

Signed and numbered by the artist on verso.
Each print comes with a Certificate of Authenticity & Care Sheet.

Only 3 prints left. Inquire here.

A percentage of proceeds from these print sales will go towards Planned Parenthood.

Wonder Women: Art of the Asian Diaspora is a groundbreaking hardcover volume edited by curator Kathy Huang, with contributions by Aleesa Pitchamarn Alexander, Genny Lim, Delia Cai, Kevin Kwan, and Fariha Róisín, highlighting forty Asian diasporic women and nonbinary artists whose recent figurative works challenge stereotypes and assert identity, community, and history.

Elsewhere is a bilingual (Chinese–English) exhibition catalogue written by art critic and poet John Yau and painter Richard Hull, published on the occasion of the Elsewhere exhibition at Ivory Gate Gallery, Shanghai.

This digital book contains a selection of the artist’s large-scale group portraits made from 2020 - 2024.

I Am Not a Virus is the exhibition catalogue for Susan Chen’s 2021 solo show at Night Gallery, featuring an introduction by John Yau, a foreword by Susanna Coffey, and an interview with Amy Sadao alongside images of Chen’s paintings and studio work that document her powerful engagement with identity and anti-Asian racism.

52 Artists: A Feminist Milestone is the exhibition catalogue for the landmark Aldrich Contemporary Art Museum show celebrating the 51st anniversary of Lucy R. Lippard’s groundbreaking 1971 Twenty Six Contemporary Women Artists, pairing works by the original cohort with those of a new generation of female-identifying and nonbinary artists to trace the evolution of feminist art practices across five decades.

Susan Chen’s work “I Am Not the Kung Flu” was featured on the cover of New York Magazine’s “At Home in Asian America” issue, visually anchoring the publication’s exploration of Asian American identity and anti-Asian racism during the COVID-19 era and bringing broad attention to her powerful portrait-based practice.